Blonde Redhead is an American band consisting of three expatriates who started out as a dissonant noise-rock band and slowly morphed into a band capable of producing albums of...
Harken to all day today, Wednesday, March 9th from 6: From time to time civilization throughout just the same from time to time has had drums. I think the vibration from the sound of a drum is healing. There was a divorce in my family and it was traumatic. Drumming made me have a funny feeling better. What changes about you and your drumming when you switch inserted bands?
I morph to the horde. I come from of the Ringo Starr, Phil Rudd approach there.
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After Melody, Blonde Redhead went on a four year hiatus, mainly due to a serious accident that Makino suffered in when she was thrown from a horse and nearly crippled. Shit, we ought to have you play with us now. We have been performing our  album Misery Is a Butterfly with a string ensemble, and we plan to develop that more.
That record, Penny Sparkle , is a dense one. In mid, they wrote and recorded the score of the documentary feature film The Dungeon Masters. With Makino and Amedeo on guitars and vocals, Simone on drums, and Takahashi on bass, the band's chaotic, artistic rock caught the attention of Sonic Youth drummer Steve Shelley , who produced and released the band's debut album, Blonde Redhead , on his Smells Like Records label.
I love it up there.
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Moving from Sonic Youth -like art punk to eclectic pop over the course of their decades-long career, Blonde Redhead remained one of indie rock's most creative acts.
While not containing the electronic shine of Penny Sparkle , that new record continues the smallest theme with songs constructed from acoustic guitar fear not, Blonde Redhead still plugs in also in behalf of the majority , spare bass and drums and the otherworldly voices of Makino and Amedeo which are allowed to adornment in this new and unsealed environment.
We did some magnum opus in Italy, a little morsel more in New York, finishing off in the studio. My suspicion is that self-financing a record, despite the stresses conceptioning with money matters might overturn, and working without label pressures gave Blonde Redhead a apportionment of freedom — from the practicalities down to how the music sounds. Barragan does hold a lightness of touch and an airiness that I indicate comes from having no demands placed up on them.
To a point, Simone agrees, but explains that his band has often worked on their own terms: As for how the record sounds, Pace is unsure of how this new circumstances actually affected the sound of Barragan , at least not intentionally anyway: After twenty years together as a band, and album number nine about to be released, I wonder if the way the band records, writes and interacts has changed much in that period — and even if it can.
The defining sound of Barragan is its absence of echo, so to speak. Blonde Redhead has continued the stripping-back of their sound which began on Penny Sparkle. I love a rich, rich sound and I love details and getting to the point where it feels so good.
But for that one, Drew was really holding us back from getting too rich a sound.
We asked the drummer to set the scene for us. Alice has been opening for us. Do you share general likes and dislikes? Kazu Makino, Simone N. We would wrestle as kids. With Makino and Amedeo on guitars and vocals, Simone on drums, and Takahashi on bass, the band's chaotic, artistic rock caught the attention of Sonic Youth drummer Steve Shelley , who produced and released the band's debut album, Blonde Redhead , on his Smells Like Records label. Steven added some harmonies.
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- Blonde Redhead | Biography & History | AllMusic
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